A study of the expression of chinese aesthetic in contemporary painting by chinese young artist born in globalization period (a.d. 1990 - 1995)

Abstract

As a new force in Chinese art, the creations of post-90s artists not only present vivid characteristics of the times, but also show novel explorations in terms of aesthetic concepts and cultural identity. This study aims to explore in depth the Chinese aesthetic manifestations displayed by young Chinese artists born during the period of globalization (1990-1995 AD) in the field of contemporary painting. Through interviews, coding, and systematic analyses of their works, the study found that multidimensional complexity is displayed in the paintings of this generation of young Chinese artists. Socio-economics, the culture of the times, and the technological information constitute the characteristics of the economic environment in which these artists' works are expressed. Individual creation, aesthetic concepts, artistic elements and expression methods constitute the performance characteristics of artistic creation. Historical traditions, philosophical ideas, religious symbols and contemporary expressions form the characteristics of cultural context. These elements intertwine and influence each other, creating a unique and rich artistic context for this generation of artists. Through in-depth research, we aim to better understand their creative motives and styles, and to reveal their unique contributions to Chinese aesthetics.

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