Publication: The study of traditional chinese music in the context of the appropriation process of popular chinese music
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Issued Date
2024-05-24
Resource Type
Language
eng
File Type
application/pdf
Access Rights
Open Access
Rights
ผลงานนี้เผยแพร่ภายใต้ สัญญาอนุญาตครีเอทีฟคอมมอนส์แบบ แสดงที่มา-ไม่ใช้เพื่อการค้า-ไม่ดัดแปลง 4.0 (CC BY-NC-ND 4.0)
Rights Holder(s)
Srinakharinwirot University
Suggested Citation
Qu Siwen (2024). The study of traditional chinese music in the context of the appropriation process of popular chinese music. Retrieved from: https://hdl.handle.net/20.500.14740/53415
Alternative Title(s)
การศึกษาดนตรีจีนในบริบทของกระบวนการหยิบยืมทางวัฒนธรรมของดนตรีจีนสมัยนิยม
Author(s)
Advisor(s)
Organization
Abstract
This research explores the representation and reinterpretation of ethnic culture in modern Chinese pop music, with a focus on the intersection of tradition and innovation. Drawing on ethnographic research and critical analysis, the study examines how contemporary Chinese pop musicians incorporate ethnic elements and traditional cultural values into their music, while also embracing new technologies, commercial strategies, and global influence. The thesis investigates the challenges and opportunities involved in promoting ethnic diversity and cultural heritage in the highly competitive and rapidly changing Chinese pop music industry and explores the ways in which musicians negotiate the tensions between artistic expression, commercial success, and cultural authenticity. Ultimately, this study aims to contribute to a deeper understanding of the role of ethnic culture in shaping China's popular music landscape and to shed light on the complex and dynamic relationship between tradition and innovation in contemporary Chinese society.
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Degree Name
DOCTOR OF ARTS (D.A.)
Degree Discipline
Degree Grantor(s)
Srinakharinwirot University