Publication: Unveiling the Intricate Tapestry: Malay (Melayu) Wood Carving Patterns of Southern Thailand as Reflections of Muslim Cultural Identity
| dc.contributor.author | Jaisuda T. | |
| dc.contributor.correspondence | Jaisuda T. | |
| dc.contributor.other | Srinakharinwirot University | |
| dc.date.accessioned | 2025-05-28T07:56:26Z | |
| dc.date.issued | 2024-12-01 | |
| dc.date.issuedBE | 2567-12-01 | |
| dc.description.abstract | The art of Malay wood carving is considered an exquisite craftsmanship and is considered a cultural heritage that represents the uniqueness of Muslims in southern Thailand. These meticulously crafted carvings are used to decorate various spaces. in architecture, religious buildings, furniture, and other decorations This work of art is considered to be a profound expression of Islamic ideas, beliefs and values in the region. Expert craftsmen have passed this woodcarving craft form down from generation to generation. Each piece is decorated with symbolic meaning and cultural significance as well as responding to everyday use. This research aims to study the design of patterns found in these wood carvings. and interpret the meaning of beauty and symbolism The corner focuses on understanding aesthetics and artwork that is connected to and understands the value of the cultural identity and beliefs of Muslim communities in Pattani, Yala, and Narathiwat provinces. It can be said that Malay wood carving is influenced by Islam. The culture of the people in the area to create products that are consistent with their traditions, way of life and reflect the abundance of local resources. Malay carvings in southern Thailand feature distinctive elements inspired by nature, such as geometric shapes. Vegetation pattern and Arabic calligraphy from the Quran and various animal patterns The design is according to Islamic principles. The design has elements based on religious beliefs. Use words that convey humility. The composition of the pattern consists of the main motifs from which it is often inspired. Or imitate local plants with stems, flowers, leaves, and additional intricate patterns. The arrangement follows the principles of symmetry, repetition, focus and harmony. Malay wood carvings are a long-standing artistic heritage of the region. and reflects the harmonious coexistence of faith, culture and artistic expression. | |
| dc.identifier.citation | International Journal of Islamic Thought Vol.26 (2024) , 146-156 | |
| dc.identifier.doi | 10.24035/ijit.26.2024.309 | |
| dc.identifier.eissn | 22896023 | |
| dc.identifier.issn | 22321314 | |
| dc.identifier.scopus | 2-s2.0-85211252371 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14740/20789 | |
| dc.rights.holder | SCOPUS | |
| dc.subject | Arts and Humanities | |
| dc.subject | Social Sciences | |
| dc.title | Unveiling the Intricate Tapestry: Malay (Melayu) Wood Carving Patterns of Southern Thailand as Reflections of Muslim Cultural Identity | |
| dc.type | Article | |
| dspace.entity.type | Publication | |
| oaire.citation.endPage | 156 | |
| oaire.citation.startPage | 146 | |
| oaire.citation.title | International Journal of Islamic Thought | |
| oaire.citation.volume | 26 | |
| oairecerif.author.affiliation | Srinakharinwirot University | |
| swu.datasource.scopus | https://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85211252371&origin=inward |
