Publication: The existence of the zhuang ethnic group’s arts in guangxi area in contemporary chinese society
| dc.contributor.advisor | Noppadol Inchan | en |
| dc.contributor.author | Yongheng Wei | |
| dc.contributor.orgunit | Srinakharinwirot University | |
| dc.date.accessioned | 2025-06-24T15:00:05Z | |
| dc.date.available | 2025-06-24T15:00:05Z | |
| dc.date.created | 2025 | |
| dc.date.createdBE | 2568 | |
| dc.date.issued | 2025-01-17 | |
| dc.date.issuedBE | 2568-01-17 | |
| dc.description.abstract | This mixed-methods research analyzes the current state of Zhuang culture and art from the perspective of the Zhuang population and proposes a strategic framework for its development in contemporary China. Using a triangulation design, the study integrated data collected between 2021 and 2024, including content analysis of discussions with 12 Zhuang culture experts and a survey of 386 Zhuang residents from various cities in the Guangxi Zhuang Autonomous Region.The findings reveal two major outcomes. First, experts and residents share consistent views on cultural transformation and the influences of cross-cultural factors on artistic creation, despite differences in perspectives regarding Huashan murals, cultural elements, identity formation, and participation in Zhuang cultural activities. Second, Zhuang leaders emphasize the importance of balancing cultural preservation with modern development, advocating for a thoughtful approach that harmonizes tradition and innovation.The research develops a priority scatter plot illustrating the current status of three categories of Zhuang culture and art. Based on this analysis, three general development guidelines aligned with China’s national and local policies are proposed, accompanied by specific strategies for 32 key initiatives. | en |
| dc.description.abstract | - | th |
| dc.format.mimetype | application/pdf | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14740/53414 | |
| dc.language.iso | eng | |
| dc.publisher | Srinakharinwirot University | |
| dc.rights | ผลงานนี้เผยแพร่ภายใต้ สัญญาอนุญาตครีเอทีฟคอมมอนส์แบบ แสดงที่มา-ไม่ใช้เพื่อการค้า-ไม่ดัดแปลง 4.0 (CC BY-NC-ND 4.0) | |
| dc.rights.holder | Srinakharinwirot University | |
| dc.source.uri | https://ir-ithesis.swu.ac.th/handle/123456789/3254 | |
| dc.subject | Culture Cognition | en |
| dc.subject | Ethnic Minority | en |
| dc.subject | Cultural Differences | en |
| dc.subject | Zhuang Arts | en |
| dc.subject.classification | Arts and Humanities | en |
| dc.subject.classification | Arts, entertainment and recreation | en |
| dc.subject.classification | Fine arts | en |
| dc.title | The existence of the zhuang ethnic group’s arts in guangxi area in contemporary chinese society | |
| dc.title.alternative | การดำรงอยู่ของศิลปะชนชาติจวงสำหรับพื้นที่กวางสีในสังคมจีนร่วมสมัย | |
| dc.type | Thesis | en |
| dcterms.accessRights | Open Access | |
| dspace.entity.type | Publication | |
| thesis.degree.discipline | en | |
| thesis.degree.grantor | Srinakharinwirot University | |
| thesis.degree.name | DOCTOR OF ARTS (D.A.) | en |
Files
Original bundle
1 - 1 of 1
