Research on the craft and social change: a comparative study of ninigou in huaiyang and tookata sia-kaban

Abstract

This research examines the craftsmanship and cultural values inherent in Huaiyang Ninigou, assessing their transformation in the wake of societal shifts, and conducting a comparative analysis with Tookata Sia-Kaban. The investigation is structured around three primary objectives: Firstly, to dissect the development and evolution of Huaiyang Ninigou as a traditional craft amidst social transformations. Secondly, it aims to scrutinize the cultural values embodied by Huaiyang Ninigou within the context of social change and their consequential influence on society. Lastly, the study endeavours to juxtapose the craftsmanship and cultural ethos of Tookata Sia-Kaban against those of Huaiyang Ninigou. The findings from this study illuminate that societal progress has not only enhanced the robustness and vibrancy of Ninigou craftsmanship beyond its original state, but also led to adaptations in its form to better cater to market demands. Furthermore, the study reveals a paradigmatic shift in the cultural significance of Ninigou, transitioning from a realm of sanctity to one of secularism and entertainment. Despite originating from distinct nations, Ninigou and Tookata Sia-Kaban exhibited variations and disparities, especially in shape and colour. Crucially, both Ninigou and Tookata Sia-Kaban epitomize the human aspiration and appreciation for an ideal life.

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